Before the line
Thought as field
Before writing, thought remains closer to voice, body, memory, gesture, and situation. It is carried by presence.
Avery Lake · 2026
The alphabetic bars become an environment: not only a structure that confines the body, but a medium the body has learned to inhabit.
On the Tyranny of Alphabetic Linearity: Underwater continues my examination of the alphabet as a capture technology.
In the original work, the human figure is held behind vertical columns of letters. Here, the same alphabetic structure becomes an underwater field: less like a prison made of bars, and more like an environment one has already learned to breathe inside.
The work interests me because capture is not always violent or visible. Sometimes it becomes atmosphere. The alphabet does not only stand in front of us as a system to read. It becomes the medium through which thought moves, remembers, and sees.
The alphabet was already a technology for holding thought before artificial intelligence began to answer us back.
Before the line
Before writing, thought remains closer to voice, body, memory, gesture, and situation. It is carried by presence.
Alphabet
The alphabet turns sound into repeatable signs and signs into lines. It makes thought portable, but also arranges it.
Once multiplied, the line becomes more than notation. It becomes a way of organizing attention, memory, authority, and time.
Interface
Keyboard, screen, prompt, model: the alphabet becomes the surface where human thought and machine response meet.
Underwater
The system is no longer merely in front of the body. It surrounds it. The figure is not outside language, and language is not outside the figure.
What if the structure that confines us is also the medium that lets us breathe?
The underwater version belongs beside On the Tyranny of Alphabetic Linearity, but shifts the condition. The earlier work stages the alphabet as bars. This work asks what happens after the bars have become a world.
The work exists as a 9.6-second silent video master. It is built as a seamless loop and held as a unique work.
For exhibitions, writing, or acquisition enquiries.
Contact the studio